1 Femenine 72:37
This is the première release of Julius Eastman’s Femenine, for chamber ensemble. It is also the work’s only known recording, documenting a 1974 performance by the S.E.M. Ensemble (with the composer on piano) which has lain unheard for decades. Joyous, insistent, and immersive, Femenine bathes the listener in surges of tonal colour from intertwining winds, piano, violin, pitched percussion, synthesizer and – uniquely – the composer’s own invention of mechanised sleigh bells, which provide the 72-minute piece with its characteristic pulse.